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In the 21st century, we are witnessing a gradual overhaul
of what is largely seen to be an anachronistically structured
music scene, thanks in no small part to New Media technologies.
The classic structure of this scene regarded music as a
commodity, with artists most often receiving significantly
less money than their labels. Despite this seemingly disadvantageous
scenario, no viable alternative was on offer to recording
artists for over 50 years.
The process was relatively basic in structure - artists
created music with the aid of record company funding, and
the label then promoted and distributed. Though the music
was generally created entirely by the artist, the label
nonetheless legally owned it, consequentially reaping all
future profits from the sale of the artists' work. Such
a system was a cause of much frustration and dissent amongst
professional musicians, and though this older system still
exists today, it faces competition from the New Media-reliant
Online Music Scene.
The basic makeup of the online music scene is intrinsically
linked to the gradual process of digitizing music in the
1980s and 90s. Originally, such files were notably significant
in size, but with the discovery that music could be stored
and transferred in conveniently compressed formats, a new
frontier had opened for the world of music. It was certainly
advantageous to this newfound process that the world of
the Internet had begun to thrive at around the same time
as this musical digitalization. The combination of the two
was inevitable, and though the identity of the originators
of the concept is hotly contested, it is most generally
agreed that the early digital sharing of music was the work
of American college students. This, in a somewhat unlikely
fashion, provides the roots of the online music scene.
Seeing the possible effects that these musically-related
online technologies could have, it was not long until record
labels, independent artists and the media pointed their
radars squarely at music on the internet. Some of this attention
was brought on by possible financial gain to be made through
the exploitation of music online, but gradually more and
more of the attention came to be accompanied by a distinct
fear at the concept of a world of free music on the World
Wide Web. To their probable horror, however, a vibrant world
of music on the internet has grown steadily, with all the
real-world roles once able to be fulfilled only by record
labels now in the hands of the artists, who had at their
disposal a world-wide-reaching communications medium. The
concept of also being able to find and work with like-minded
musicians on the other side of the world has also formed
a cornerstone of this scene, and it in particular is still
growing at an insatiable rate.
Traditional record companies would seem to be most afraid
of this new technological world, as the established "way
of things" is gradually superseded by the near-infinite
possibilities of music on the internet. So, to examine it
overall, the online music scene is an exciting and reactionary
thing that has grown out of musicians harnessing the power
and potential of the world wide web. It is multi-faceted,
it is ever-changing, and this is a progressive attempt at
examining what comprises it.
Online
music resources
Tools
such as iRate
try to make it easier to find music that matches the listener's
tastes. There are several online music stores. Apple's iTunes store is presently the most popular commercial
online music offering. Independent artists are able to use
smaller sites to provide distribution. A controversial MP3
portal is the Russian site AllOfMP3.com,
which through their country's copyright laws can legally
distribute music by any label or artist. The music industry
has closed down many file sharing networks and the publics
urge for free mp3 downloads has made the way for sites as
bestmp3links.com
and Erik Brown's MP3 Links that list links to free legal
mp3 download sites.
There
are also several online columnists who edit news sites focused
on digital music and the grassroots community it spawned.
They include Richard
Menta's MP3 Newswire, an early MP3 news site started in 1998,
Jon Newton's P2Pnet,
and Thomas Mennecke's Slyck.com. Other sites like Download.com
and Vitaminic.com which
allow artists to choose to post their own music for free
download.
Buy download mp3 music store
An
online music store is an Internet service that sells audio, usually primarily music,
on a per-song and/or subscription basis. The realization
of the market for these services grew widespread around
the time of Napster, a music
and file
sharing service created by Shawn
Fanning that made a major impact on the Internet scene
during the year 2000. Some services have
tethered downloads, meaning that playing songs requires
an active membership.
In
2000 Sony became the first company to make music from one
of the major labels available for sale on the Net. The big
record companies were apprehensive to license their catalogs
to outside companies and refused the late 90's requests
of MP3.com
and Emusic
(then called Goodnoise) to sell
digital song downloads. They eventually decided to start
their own services, which they could control directly.
Sony's
service turned out to be an ill-conceived affair. Not only
was the service difficult for consumers to navigate and
use, Sony's expensive pricing of US$3.50 per song track
turned off many early adopters of the service. Furthermore,
as MP3 Newswire pointed out in its review of the service,
users were actually only renting the tracks for that $3.50.
After a certain point the files expired and could not be
played again without repurchase. The service quickly failed.
Undaunted,
the record industry tried again. Universal Music Group and
Sony teamed up with a service called Duet, later renamed
PressPlay. EMI, AOL/Time Warner and BMG teamed up with
MusicNet.
Again, both services struggled, hampered by high prices
and heavy limitations on how downloaded files could be used
once paid for. In the end, consumers chose instead to flock
to the free file sharing programs, which were far more convenient
to use and free to boot.
Non-label
services like Emusic and Listen.com (now
Rhapsody.com) sold the music of independent artists to keep
in the game, but it wasn't until Apple Computer introduced iTunes
in 2003
that sales of digital downloads took off. Now there are
newer services that have started in recent years, to continue
selling the music of independent artists. Two such sites
are Independent
Music Online, Inc. and Magnatune.
Online Music
Compared to file swapping
Much
controversy surrounds this issue, so many or perhaps all
of these points are disputed.
Advantages
- More respectful to copyright law as
interpreted by groups like the RIAA.
- Decreases chances of legal disadvantages.
- Avoids some social stigmas and moral
regrets that some people have.
- Arguably promotes creation of music.
- More consistent and higher quality meta-data,
because the entering of the meta-data is more centralized
and done by groups with financial interests.
- Companies sometimes feel more accountable
to users than other users.
- Higher audio quality for similar reasons
as meta-data.
- Centralized repository of music makes
it easier to find the songs you want.
- Notably Apple Computer CEO Steve
Jobs claimed in his introduction of the iTunes Music Store
that file swappers get paid less than minimum wage for
the work required to download audio.
Disadvantages
- Decreased selection, because of more
attention paid to copyright concerns.
- Increased price.
- Some file swapping advocates claim
that, because file sharing costs nothing, any pay service
essentially costs infinitely many times more than file
swapping (although this is only true if the time of
the user is not costed).
- Digital Rights Management sometimes
irritates consumers. The restrictions vary with the service
sometimes within songs of a service.
- Doesn't support record labels. Criticisms
of record labels include overpricing, monopolies, and
lack of support for artists.
Stores
Along
with those mentioned, companies such as Microsoft, Wal-Mart,
and Coca-Cola have plans for paid services as well.
Audible.com
See
Audible.com.
- Pricing: Varies per title. There are
two subscription plans where the user can buy 1 or 2 books
per month for approx US$10 per book.
- Platform(s): Mac, Windows for downloads,
hundreds of devices from 40 manufacturers can be used
to play the files, including the iPod,
Windows CE, Palm and Symbian
devices.
- Downloading: There are 4 quality levels,
and you can listen online. Downloading requires free software
that is available from the web site.
- Burning/Copying: Most titles can be
burnt to CD once (some leeway is allowed for bad media).
Files can be copied to "authorised"
devices.
- Streaming: Streaming of purchased titles
using Windows Media Player.
- Radio: No streaming radio, but many
radio programs can be downloaded individually or on subscription.
The twice-weekly XM Satellite Radio program "This
is Audible" is available for free download.
- Format(s): 4 quality levels.
- Digital Rights Management: .aa format files are based on MP3 technology, but include
copy protection by means of an Audible user name and password.
Licenses are available for schools and libraries.
- Preview: Extracts from titles are available
in flash format, Approx 10 minutes per sample.
- Trial: 1 month free, includes 2 audio
titles
- Catalog: Thousands of titles in all
major genres. Audio editions of books, newspapers, magazines,
radio programs and original shows. www.audible.com offers approximately 70,000
hours of spoken audio programming from more than 250 different
providers.
- Features: Wish List, My Next Listen,
author interviews, free download each week. The audio
files contain DRM, but play on hundreds of MP3 players,
Windows Media players, Real Media and iPod devices.
iTunes Music Store
See
iTunes Music Store.
- Pricing: One set price for songs (e.g.
99 cents in the US);
most albums cost $9.99 in the US. Prices vary depending on
the country where the user is registered.
- Platform(s): Mac OS X
(not Mac OS Classic), Windows
2000 and Windows XP.
- Downloading: Yes.
- Burning/Copying: Yes.
- Streaming: Not for purchase, only for
previews.
- Radio: Yes (built into iTunes).
- Format: AAC @ 128 kbit/s.
- Digital Rights Management: Up to five
computers, unlimited CDs (seven with an unchanged playlist),
unlimited iPods (formerly three computers, and ten unchanged
playlist burns).
- Preview: 30 seconds.
- Trial: N/A.
- Catalog: More than 1,000,000 files;
includes audio books; (originally iTMS
contained about 200,000 files).
- Features: Allowance, Podcasts, gift certificates, iMix
(user-submitted playlists),
Billboard charts, radio charts, advanced search, music
videos and movie trailers.
- Global availability: US, Germany, France, UK,
Austria,
Belgium, Finland,
Greece,
Norway, Italy,
Luxembourg,
the Netherlands, Portugal,
Spain,
Canada, Ireland
and Japan
addressed credit-card holders only.
Sony Connect
See
Sony
Connect.
- Pricing: Single set price for songs
(99 cents in the US),
albums generally cost $9.99
- Platform(s): Windows
98 SE and later
- Downloading: Yes.
- Burning/Copying: Yes, usually limited
to 3 device transfers, 5 ATRAC CD burns, and 7 audio CD burns with the same playlist; however, this varies with the label.
- Streaming: Samples
- Radio: none.
- Format: ATRAC3 @ 132 kb/s.
- Digital Rights Management: OpenMG-based system, up to 5 computers can be authorised, amount of ATRAC/audio cd burns and device transfers depends on song and label.
- Preview: 30 seconds.
- Trial: None, although many 'free music
download' promotions use this service. (e.g
Aeropostale, Albertson's,
and EB
Games's promotions)
- Catalog: ~8-900,000 audio files.
- Features: MoodMixes
(auto-selected mixes of songs based on genre and mood)
- Global availability: US, UK, Germany,
France,
Ireland, Belgium,
the Netherlands,
Switzerland, Austria,
Luxembourg,
and Monaco.
Rhapsody
See
Rhapsody.
- Pricing: Unlimited tethered at $9.99
per a month, non-tethered at $14.99 per a month.
- Platform(s): Windows
98 and later
- Downloading: $.79
- Burning/Copying: $.79
- Streaming: Unlimited with All Access
Plan
- Radio: Unlimited
- Format(s): Windows
Media (proprietary)
- Digital Rights Management: Yes
- Preview: 30 seconds
- Trial: 7 days
- Catalog: 95,000 + albums; 65,000 + artists;
1,100,000 + songs
- Features: 25 Free streams a month
AllOfMP3.com
See
AllOfMP3.com.
- Pricing: By traffic - 20 US dollar
for 1 gigabyte
- Platform(s): any (Microsoft Windows for AllOfMP3.com Explorer
utility)
- Downloading: Unlimited
- Burning/Copying: Unlimited
- Streaming: Samples
- Radio: No
- Format(s): MP3, Ogg Vorbis, Windows
Media, MPEG-4,
MPC, various lossless audio codecs
- Digital Rights Management: None
- Preview: Full-length at 24 kbit/s
- Trial: -
- Catalog: about 200,000 songs
- Features: Guestbook for each artist,
lyrics, charts, advanced search
- Warning: This is a Russian site, which
apparently complies with Russian law. Customers in the
United States
(and possibly other countries) may be violating the law
of their home country.
eMusic.com
See
eMusic.
- Pricing: Subscription
- Platform(s): Microsoft Windows, Mac OS, Linux
- Downloading: Basic package is $9.99
per month for 40 downloads ($.25 a song) with Plus and
Premium packages offering more downloads per month.
- Burning/Copying: Unlimited
- Streaming: No
- Radio: No
- Format(s): MP3
- Digital Rights Management: No, impossible
with MP3
- Preview: 30 seconds
- Trial: 50 MP3s
- Catalog: Over 600,000 songs
- Features: eMusic
uses the MP3 format for music downloads. This format is
playable on virtually all music players, including Apple's
iPod.
Independent
Music Online
See
Independent Music Online
- Pricing: Bands/Artist set their own
price
- Platform(s): Any OS that can play Ogg Vorbis, AAC, or MP3 music
files
- Downloading: Yes
- Streaming: Not for purchase, only for
previews.
- Radio: None
- Format: Ogg
Vorbis (.ogg)
@ 160 kbit/s, AAC (.m4a) @ 160 kbit/s,
MP3 (.mp3) @ 160 kbit/s (coming
soon)
- Digital Rights Management: None
- Preview: Full Tracks
- Trial: Artists can offer free tracks
if they choose
- Catalog: 50+ Artists and 150+ tracks
- Global availability: Any with Internet
Access
Magnatune
See
Magnatune.
- Pricing: Per-album: $5 minimum, customer's
choice
- Platform(s): Microsoft Windows, Mac OS, Linux
- Downloading: Yes
- Burning/Copying: Yes
- Streaming: Yes
- Radio: Yes
- Format(s) [1]:
- 44k/16bit WAV in zip file
- FLAC in zip file
- OGG in zip file
- 128kb MP3 in zip file
- MP3 VBR in zip file
- CDs
- Digital Rights Management: No
- Preview: Entire song, 128k MP3
- Trial: N/A
- Catalog: 174 artists, 326 albums, 4176
songs [2]
MusicNet
See
MusicNet.
- Pricing: Subscription
- Platform(s): Microsoft Windows with AOL
- Downloading: Yes, tethered
- Burning/Copying: Premium Plan only
- Streaming: Yes
- Radio: No
- Format(s):
- Digital Rights Management: Yes
- Preview: 30 seconds
- Trial: 30 days with AOL sign-up
- Catalog: 250,000 songs
- Features:
BuyMusic
See
BuyMusic.
- Pricing: Cost per download: 79 cents-$1.29
per song
- Platform(s): Windows
98 and later
- Downloading: Yes
- Burning/Copying: Yes
- Streaming: No
- Radio: No
- Format(s): Windows
Media
- Digital Rights Management: Yes
- Preview: 30 seconds
- Trial: N/A
- Catalog: 304,000 songs
- Features:
Napster
See
Napster.
- Pricing: Subscription
- Platform(s): Windows
2000, Windows XP
- Downloading: Unlimited tethered at $9.99
per a month, non-tethered at $14.99 per a month.
- Burning/Copying: Extra cost
- Streaming: Unlimited
- Radio: Unlimited
- Format(s): Windows
Media
- Digital Rights Management: Yes
- Preview: 30 seconds
- Trial: 7 days
- Catalog: 1,000,000 + songs
- Features:
Musicmatch Downloads (aka Dell Music
Store)
See
Musicmatch Downloads.
- Pricing: Subscription
- Platform(s): Windows
98 and later, Mac OS
- Downloading: No
- Burning/Coping: No
- Streaming: Platinum Plan only
- Radio: Unlimited
- Format(s): Streaming MP3
- Digital Rights Management: No downloads,
streaming only
- Preview: N/A
- Trial: 7 days
- Catalog: 10,500 artists
- Features:
MP3.com
See
MP3.com.
- Pricing:
- Platform(s):
- Downloading:
- Burning/Coping:
- Streaming:
- Radio:
- Format(s):
- Digital Rights Management:
- Preview:
- Trial:
- Catalog:
- Features:
Jeff
O's Retro Music
Jeff
O's Retro Music - 50's Songs You Never Heard!
- Pricing: $0.75ea.
- Platform(s): All
- Downloading: Yes
- Burning/Coping: Yes
- Streaming:
- Radio:
- Format(s): Mp3
- Digital Rights Management: No
- Preview: Yes
- Trial:
- Catalog:
- Features:
Download
Music Mart
Download
Music Store featuring Legal Music Downloads from Independent
Artists and Labels
- Pricing: $0.99ea.
- Platform(s): All
- Downloading: Yes
- Burning/Copying: Yes
- Streaming:
- Radio:
- Format(s): Mp3
- Digital Rights Management: No
- Preview: Yes
- Trial:
- Catalog:
- Features:
Puretracks
See
Puretracks.
- Pricing: $0.99ea./song,
$varies/album
- Platform(s): Windows
98 SE, Windows Me, Windows
2000, Windows XP, Windows
2003
- Downloading: Yes
- Burning/Copying: Yes
- Streaming: Yes
- Radio: Yes
- Format(s): WMA
- Digital Rights Management: Yes
- Preview: Yes
- Trial: Yes
- Catalog: 700,000+ tracks
- Features: Puretracks
Plus gives you 100 music channels for $4.99/month. 14
Day free trial.
- Browser(s): Initial support was only
for Internet Explorer. The website still states
to this effect, yet, Mozilla Firefox is compatible.
Mindawn
See
Mindawn
- Pricing: $0.99-$1.24 per 10 minutes
of music per song. Albums $6.99-$8.99.
- Platform(s): Microsoft Windows, Mac OS, Linux
- Downloading: Yes
- Burning/Copying: Yes
- Streaming: No
- Radio: No
- Format(s): Ogg Vorbis, FLAC
- Digital Rights Management: No
- Preview: full song, played up to three
times
- Trial: N/A
- Catalog:
- Features: Artist receives 75% of proceeds
for music which is exclusively distributed and 55% for
non-exclusive music. Music distributed in open file formats.
SacredAudio
See
SacredAudio.
- Pricing: 25% off retail. Albums $3.99-$11.99
- Platform(s): All
- Downloading: Yes
- Burning/Coping: Yes
- Streaming: No
- Radio: No
- Format(s): MP3
- Digital Rights Management: None
- Preview: Some songs
- Trial: All
- Catalog: 100 Albums
- Features: Specializes in sacred/traditional
Christian music.
Pricing
[edit]
Per-song
By volume
Subscription
Platform
Linux
Macintosh
Windows
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